I move between studios, job sites, terminals, and train windows — designing spaces, writing systems, and watching how people occupy both. Architecture gave me structure. Code gave me leverage. Photography keeps me honest about what the world actually looks like.
This portfolio is a running log of that overlap: plans and pixels, facades and frontends, fieldwork and frame grabs. It’s not a finished product. It’s the current snapshot of a practice that is still very much under construction.
Working across academic studios and built work documentation, I treat architecture as a way to choreograph experience: light, circulation, material, and pause. Drawing, modeling, and iterating towards spaces that feel inevitable, not inevitable.
I design and build web experiences that feel architectural: clear hierarchies, strong grids, deliberate thresholds. From small personal tools to expressive portfolio sites, I use modern front-end stacks to turn ideas into fast, legible interfaces.
From reserves to rooftops, I use the camera to document how non-human life moves through human-shaped worlds. Most of my time is spent waiting. The images that survive are about patience, timing, and that thin line between observation and interference.
Studios, hackathons, campus initiatives — I gravitate towards spaces where small teams are trying to move quickly without losing depth. My job inside those groups is usually the same: translate, clarify, and keep the work grounded in reality.
Academic studio project exploring site, light, and program as overlapping systems — focusing on how circulation can choreograph moments of compression and release across a tight urban plot.
Developed from early hand sketches through 3D modeling and detailed sections, with an emphasis on legible structure and a restrained material palette.
A web experience built as a living sketchbook — fast, dark, and opinionated — to test interaction ideas, visual systems, and motion before bringing them into client work or studio presentations.
Implements responsive layout systems, scroll-linked motion, and a minimal design language tuned for high-contrast screens and low distraction.
A long-running documentation project following wildlife at the edges of cities — assembling small encounters into a slow archive of how non-human life adapts to human geometry.
Built as a hybrid of field notes, mapping, and image sequences, it treats the web page itself as a timeline you can scrub through with your scroll wheel.
Two archives: one for the non-human, one for the everyday human.
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I'm not trying to be everything. I just don't see why I should be less than everything I actually am.